Nov. 16th, 2014

missizzy: (harrypotter)
And finally finished the next part of this:

Title: All The Extras
Part: 4: Mourners
(Part 1, Part 2, Part 3)
Fandom: Harry Potter
Characters: Harry/Ginny, Ron/Hermione, Andromeda Tonks, Lyall Lupin, Ted Lupin, Mrs. Weasley, Percy
Disclaimer: Rowling is our Queen!
Note: And now I start to incorporate information from Pottermore into the story, although I will probably ignore all the World Cup-related stuff.

The past is gone/ But something might be found to take its place )
missizzy: (moulinrouge)
Ironically, back when we first saw The Death of Klinghoffer, the controversial opera on the 1985 hijacking of an Italian ship by four young Palestinian men and their murder of an elderly disabled Jewish American man who’d had nothing to do with Israel, on the Met’s HD broadcast schedule, my family wasn’t sure we’d even bother with it. We’d seen Nixon in China and thought it all very well(although the clash of the real and surreal made it a bit odd as an opera), except that the dissonance-based score was headache-inducing. But when certain people bullied the Met into taking it off the schedule, and my mom and I decided to weekend in New York, we decided what the hell, go see in person the opera certain people were trying to keep from us, and even booked our seats for the matinee show yesterday which would’ve been the transmitted performance, and instead ultimately became the final one. So I have now seen the Met in person, discovered while box seats have their fun points they all have their disadvantage when it comes to the angles, and discovered that between his freshman and his sophomore work, John Adams showed himself to have a very definite modus operandi, and also as a pure composer reached a whole new level of achievement. Also, even though I felt a headache coming on moments before curtain, between when the music started and the curtain call I noticed no pain at all-though that might have simply been how absorbing the opera was.

Adams is a master at choral numbers. )

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